

Blige, Sean “Diddy” Combs, Tara Long, Mark Ford, Kevin Lopez, Jeffrey Harleston and Jody Gerson. Nicole Jackson and executive produced by Mary J. Blige’s My Lifeis produced by Ashaunna K. Henson chimed in to say that Blige “made it okay for people to say it’s alright to be me.” I Can Do Bad All By Myself co-star Taraji P. “Nobody sounds like her,” Sean “Diddy” Combs praised the Bad Boy Records alumna, who is also serving as executive producer of the project. In the trailer, the “Just Fine” singer briefly touches on the rises, demises, demons, and blessings of her livelihood from her childhood neighborhood to the conception of My Life. As Blige’s second album gave a raw story of abuse, mental. Watch the trailer for Mary J Blige’s My Life (and prepare to get choked up). Fast forward 25 years later, we get to take a peek into the icon’s life ourselves with her documentary Mary J. Blige looks back at how she transformed the pain and indignities she experienced into music that spoke to a generation of women. The Power actress and producer and claimed Queen of Hip-Hop and R&B takes us on a journey through her road to superstardom from the beginning to her present-day successes. Blige Documentary Reveals Her Struggles Before and After ‘My Life’.

Mary (1999) perfects My Life ’s old-is-new ethos, with Lauryn Hill, Aretha Franklin, and Elton John as collaborators and. Even with a side of arena-sized bombast, it remains a pleasure to hear Blige effortlessly rise above the drama.Directed by Oscar-winning filmmaker Vanessa Roth, the Amazon Originals documentary dives deep into the life and times of multi-Grammy-winning recording artist and Academy Award-nominated singer and actress Mary J. Energized, Blige recorded two of her best albums back-to-back.
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The sexy grit she adds to “Come See About Me,” the way she casually finds the pocket on the sumptuous “Love Without the Heartbreak,” the full minute and a half when she simply riffs over drums and cinematic strings during the title track’s climax-the sheer strength and breadth of her voice is like comfort food. Nonetheless, Blige draws poignancy from Good Morning Gorgeous’ highlights. When Blige dabbles in drill, the effect is similarly awkward: “On Top” is a boastful victory lap at its core, but the staid production makes both Blige and Fivio Foreign sound bored by the time it’s over. For every strong team-up, like the silky throwback R&B she whips up with Usher on “Need Love,” there’s something like “Amazing,” a DJ Khaled production that blows up a sample of Dawn Penn’s “ You Don’t Love Me (No, No, No)” to garish proportions. The album’s assorted collaborations range from solid to baffling. The song recasts a personal low as a vulnerable, revitalizing pep talk to herself and thus everyone else: “All the times that I should’ve been careful with me,” she laments, “Why did I hate myself?” Opener “No Idea” is another standout, with a thick bassline, energetic drum patterns, and one of her best lines in years: “I ain’t never been the type to talk about some shit I never really been through,” she sings, laying out her ethos as an artist in one fabulous swoop. and longtime Blige collaborator D’Mile, is quintessential Mary: an anthem of self-love to lift yourself out of the darkness, gilded with fingersnaps, leisurely guitar melodies, and dynamic backing vocals. The title track, a torchy cut co-produced by H.E.R. Now she’s ready to get back in the saddle. Good Morning Gorgeous picks up on the other side of Blige’s divorce, a seismic life event the singer used as a conduit for self-discovery on 2017’s stellar Strength of a Woman.

Paak, come across as scattered, an unfortunate side effect that hinders the album’s invigorating self-empowerment.
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Days after winning her second Outstanding Supporting Actress In A Drama Series award at the 53rd NAACP Image Awards for playing the character Monet Tejada on the Starz drama Power Book II: Ghost, the singer-turned-thespian has announced a partnership with another cable. Blige is trying to become the Queen of the Small Screen, too. But her collaborations with a wide cast of stars, including DJ Khaled, Fivio Foreign, and Anderson. She may be known as the Queen of Hip-Hop Soul, but Mary J.

Blige succeeds in the former category, with plenty of pathos and technical bravado. Though it’s easy to peg as a commercial tie-in, Blige’s latest LP stands on its own as a celebratory record that mixes uplifting, soulful affirmations with exercises in contemporary rap and R&B. Blige’s appearance at the halftime show coincides with the release of Good Morning Gorgeous, the singer’s 14th studio album.
